A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 102
... Sophocles ' Antigone is here seen as representative of the Apollin- ian , while Aeschylus ' Cassandra ( in Agamemnon ) is associated with the Dionysian . II . THE WILL TO POWER IN ART 1 Apollinian , Dionysian There are two conditions in ...
... Sophocles ' Antigone is here seen as representative of the Apollin- ian , while Aeschylus ' Cassandra ( in Agamemnon ) is associated with the Dionysian . II . THE WILL TO POWER IN ART 1 Apollinian , Dionysian There are two conditions in ...
Pagina 117
... Sophocles . Oedipus , the son of Laius , king of Thebes , and Jocasta , is exposed as a suckling , because an oracle had informed the father that his son , who was still unborn , would be his murderer . He is rescued , and grows up as a ...
... Sophocles . Oedipus , the son of Laius , king of Thebes , and Jocasta , is exposed as a suckling , because an oracle had informed the father that his son , who was still unborn , would be his murderer . He is rescued , and grows up as a ...
Pagina 234
... Sophocles in particular , in this respect following the lead of Aeschylus , has accepted and worked out in the finest way , is that of the body politic , the opposition , that is , between ethical life in its social universality and the ...
... Sophocles in particular , in this respect following the lead of Aeschylus , has accepted and worked out in the finest way , is that of the body politic , the opposition , that is , between ethical life in its social universality and the ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York