A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Risultati 1-3 di 81
Pagina 72
... activities , he is intent upon analyzing the stages of mental activity . Apart from sensation , which is relatively passive , these stages may be schematized as follows : 1. Knowing , or theoretic activity . ( a ) Art , the knowing of ...
... activities , he is intent upon analyzing the stages of mental activity . Apart from sensation , which is relatively passive , these stages may be schematized as follows : 1. Knowing , or theoretic activity . ( a ) Art , the knowing of ...
Pagina 372
... activity , of the power , etc. This activity is not objective . It is not anything that stands opposite me . Just as I do not feel active over against the object , but in the object , so I do not experience joy over against my activity ...
... activity , of the power , etc. This activity is not objective . It is not anything that stands opposite me . Just as I do not feel active over against the object , but in the object , so I do not experience joy over against my activity ...
Pagina 375
... activity which the other experiences , of his freedom and pride . On the other hand I also experience my own movement and feel my activity , my freedom and pride , etc. Contrariwise , in esthetic imitation this opposition is absolutely ...
... activity which the other experiences , of his freedom and pride . On the other hand I also experience my own movement and feel my activity , my freedom and pride , etc. Contrariwise , in esthetic imitation this opposition is absolutely ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York