A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 292
... appreciation of most architectural forms . Pictures which would be insignificant if we saw them as flat patterns are ... appreciation of which this knowledge is not necessary : so , though it is not irrelevant to the appreciation of some ...
... appreciation of most architectural forms . Pictures which would be insignificant if we saw them as flat patterns are ... appreciation of which this knowledge is not necessary : so , though it is not irrelevant to the appreciation of some ...
Pagina 352
... appreciation . In short , Distance may be said to be variable both according to the distancing - power of the individual , and according to the character of the object . There are two ways of losing Distance : either to " under ...
... appreciation . In short , Distance may be said to be variable both according to the distancing - power of the individual , and according to the character of the object . There are two ways of losing Distance : either to " under ...
Pagina 466
... appreciation , just as one cannot always tell whether a given person is a knight or is married . When an object's status depends upon non- exhibited characteristics , a simple look at the object will not necessarily reveal that status ...
... appreciation , just as one cannot always tell whether a given person is a knight or is married . When an object's status depends upon non- exhibited characteristics , a simple look at the object will not necessarily reveal that status ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York