A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 94
Pagina 32
... artist is art's aim . The critic is he who can translate into another manner or a new material his impression of ... artist , but the morality of art consists in the perfect use of an im- perfect medium . No artist desires to prove ...
... artist is art's aim . The critic is he who can translate into another manner or a new material his impression of ... artist , but the morality of art consists in the perfect use of an im- perfect medium . No artist desires to prove ...
Pagina 34
... artist transformed the trees , much as the Victorian designer was taught to study the forms of flowers before he turned them into patterns . It was a practice which chimed in well with ideas of Victorian architecture , when railways and ...
... artist transformed the trees , much as the Victorian designer was taught to study the forms of flowers before he turned them into patterns . It was a practice which chimed in well with ideas of Victorian architecture , when railways and ...
Pagina 63
... artist . As soon as the spectator , hearer , or reader , feels that the artist is infected by his own production and writes , sings , or plays , for himself , and not merely to act on others , this mental condition of the artist infects ...
... artist . As soon as the spectator , hearer , or reader , feels that the artist is infected by his own production and writes , sings , or plays , for himself , and not merely to act on others , this mental condition of the artist infects ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York