A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina 122
... associations , derived from the world of external reality , by means of inversion and every variety of artificial stressing and counterpoint . Thus the world of external reality recedes , and the world of instinct , the affective ...
... associations , derived from the world of external reality , by means of inversion and every variety of artificial stressing and counterpoint . Thus the world of external reality recedes , and the world of instinct , the affective ...
Pagina 129
... associations will rise vaguely to the mind . In a simple word like " spring " there are hundreds of them ; of greenness , of youth , of fountains , of jumping ; every word drags behind it a vast bag and baggage of emotional associations ...
... associations will rise vaguely to the mind . In a simple word like " spring " there are hundreds of them ; of greenness , of youth , of fountains , of jumping ; every word drags behind it a vast bag and baggage of emotional associations ...
Pagina 130
... associations used by poetry are of many forms . Sometimes they are sound associations , and then we call the line “ musical ” —not that the language is specially harmonious ; to a foreigner it would probably have no particular verbal ...
... associations used by poetry are of many forms . Sometimes they are sound associations , and then we call the line “ musical ” —not that the language is specially harmonious ; to a foreigner it would probably have no particular verbal ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York