A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 161
... beauty whenever the value is unconsciously imputed to the object contemplated and not to the body or mind of the person contemplating . Santayana recognizes three kinds of beauty : the sensuous beauty of the physical stuff ; the formal ...
... beauty whenever the value is unconsciously imputed to the object contemplated and not to the body or mind of the person contemplating . Santayana recognizes three kinds of beauty : the sensuous beauty of the physical stuff ; the formal ...
Pagina 340
... beauty . Now , as the combination of the Pleasant ( in sensation ) with Beauty , which properly is concerned with form , is a hindrance to the purity of the judgment of taste , so also is its purity injured by the combination with ...
... beauty . Now , as the combination of the Pleasant ( in sensation ) with Beauty , which properly is concerned with form , is a hindrance to the purity of the judgment of taste , so also is its purity injured by the combination with ...
Pagina 533
... Beauty Aldrich , Virgil C. " Beauty as Feeling . " Kenyon Review 1 ( 1939 ) . Alexander , Samuel . Beauty and Other Forms of Value . London : Macmillan , 1933 . Beardsley , Monroe . Aesthetics . New York : Harcourt , 1958 , pp . 502–512 ...
... Beauty Aldrich , Virgil C. " Beauty as Feeling . " Kenyon Review 1 ( 1939 ) . Alexander , Samuel . Beauty and Other Forms of Value . London : Macmillan , 1933 . Beardsley , Monroe . Aesthetics . New York : Harcourt , 1958 , pp . 502–512 ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York