A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 381
... become highly educated and exclusive by measuring techniques . The important thing to notice in this connection is that the space properties ( " magnitudes " ) thus determined are not " simply " perceived . Indeed , they turn out in the ...
... become highly educated and exclusive by measuring techniques . The important thing to notice in this connection is that the space properties ( " magnitudes " ) thus determined are not " simply " perceived . Indeed , they turn out in the ...
Pagina 469
... become works of art in the classificatory sense are artifactualized without the use of tools - artifactuality is conferred on the object rather than worked on it.16 This means that natural objects which become works of art acquire their ...
... become works of art in the classificatory sense are artifactualized without the use of tools - artifactuality is conferred on the object rather than worked on it.16 This means that natural objects which become works of art acquire their ...
Pagina 477
... become universal . It will not become universal as long as man is still uncul- tivated enough to be in a position to misuse it ; and should it become universal , this could only be brought about by the kind of culture which would ...
... become universal . It will not become universal as long as man is still uncul- tivated enough to be in a position to misuse it ; and should it become universal , this could only be brought about by the kind of culture which would ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York