A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 69
Pagina 200
... body and soul , where the soul is a feeling , and the body its expression , without residue on either side . -Three Lectures on Esthetic ( 1915 ) NOTES 1. What Bosanquet means by " feeling " and by " body - and - mind , " terms which ...
... body and soul , where the soul is a feeling , and the body its expression , without residue on either side . -Three Lectures on Esthetic ( 1915 ) NOTES 1. What Bosanquet means by " feeling " and by " body - and - mind , " terms which ...
Pagina 219
... body . Since the body is the dancer's instrument , the choice of a body with an aptitude for dancing plays the same role and has the same importance as that of any material in any art . The sculptor carefully chooses his stone , his ...
... body . Since the body is the dancer's instrument , the choice of a body with an aptitude for dancing plays the same role and has the same importance as that of any material in any art . The sculptor carefully chooses his stone , his ...
Pagina 220
... body in motion is the material of the dance , we must not forget that a human body is in question . Intelligence therefore is another requisite of the would - be dancer , and the gifts of the body must be complemented by the gifts of ...
... body in motion is the material of the dance , we must not forget that a human body is in question . Intelligence therefore is another requisite of the would - be dancer , and the gifts of the body must be complemented by the gifts of ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York