A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 247
... called " unlogicized " mental life ( a term we owe to Pro- fessor Henry M. Sheffer of Harvard ) , or what is usually called the " life of feeling , " requires a different symbolic form . This form , I think , is characteristic of art ...
... called " unlogicized " mental life ( a term we owe to Pro- fessor Henry M. Sheffer of Harvard ) , or what is usually called the " life of feeling , " requires a different symbolic form . This form , I think , is characteristic of art ...
Pagina 249
... called a quality ( Clive Bell called " significant form " a quality ) , sometimes an emotional content , or the emotional tone of the work , or simply its life . This is what I mean by artistic import . It is not one of the qualities to ...
... called a quality ( Clive Bell called " significant form " a quality ) , sometimes an emotional content , or the emotional tone of the work , or simply its life . This is what I mean by artistic import . It is not one of the qualities to ...
Pagina 432
... called an area at all . This presumably means that we cannot do anything with it . - But is it senseless to say , " Stand roughly there ? " Suppose that I were standing with someone in a city square and said that . As I say it I do not ...
... called an area at all . This presumably means that we cannot do anything with it . - But is it senseless to say , " Stand roughly there ? " Suppose that I were standing with someone in a city square and said that . As I say it I do not ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York