A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 77
... character of Hamlet . Though he may resemble other men in some espects , it is clearly not on that account that he interests us most . But he is niversally accepted and regarded as a living character . In this sense only s he ...
... character of Hamlet . Though he may resemble other men in some espects , it is clearly not on that account that he interests us most . But he is niversally accepted and regarded as a living character . In this sense only s he ...
Pagina 78
... character in his play secondary characters to serve as simplified copies , so to speak , of the former . The hero of a tragedy represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be ...
... character in his play secondary characters to serve as simplified copies , so to speak , of the former . The hero of a tragedy represents an individuality unique of its kind . It may be possible to imitate him , but then we shall be ...
Pagina 235
... character , a specific pathos , for the simple reason that they are this character , this pathos . In such a case there is no lack of deci- sion and no choice . The strength of great characters consists precisely in this that they do ...
... character , a specific pathos , for the simple reason that they are this character , this pathos . In such a case there is no lack of deci- sion and no choice . The strength of great characters consists precisely in this that they do ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York