A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 9
... color or shape that he painted has a worth of its own . The " rich blue , " for example , is beautiful in itself , and it is more beautiful in contrast with the orange shades , the chrome , the pale lemon - yellow . The finished ...
... color or shape that he painted has a worth of its own . The " rich blue , " for example , is beautiful in itself , and it is more beautiful in contrast with the orange shades , the chrome , the pale lemon - yellow . The finished ...
Pagina 75
... color for color and form for form , since e perceives them for their sake and not for his own , it is the inner life of hings that he sees appearing through their forms and colors . Little by little e insinuates it into our own ...
... color for color and form for form , since e perceives them for their sake and not for his own , it is the inner life of hings that he sees appearing through their forms and colors . Little by little e insinuates it into our own ...
Pagina 432
... color , and say : " What these have in common is called ' yellow ochre . ' " And compare this case : I show him samples of different shades of blue and say , " The color that is common to all these is what I call ' blue . ' " 73. When ...
... color , and say : " What these have in common is called ' yellow ochre . ' " And compare this case : I show him samples of different shades of blue and say , " The color that is common to all these is what I call ' blue . ' " 73. When ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York