A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Risultati 1-3 di 81
Pagina 342
... common , feeling . Now this common sense cannot be grounded on experience ; for it aims at justifying judgments which contain an ought . It does not say that everyone will agree with my judgment , but that he ought . And so common sense ...
... common , feeling . Now this common sense cannot be grounded on experience ; for it aims at justifying judgments which contain an ought . It does not say that everyone will agree with my judgment , but that he ought . And so common sense ...
Pagina 426
... common with B ; B a quality in common with C ; C a quality in common with D ; D a quality in common with E ; while at the same time no quality can be found which belongs in common to any three objects in the series . " Nevertheless , as ...
... common with B ; B a quality in common with C ; C a quality in common with D ; D a quality in common with E ; while at the same time no quality can be found which belongs in common to any three objects in the series . " Nevertheless , as ...
Pagina 432
... common thing which I - for some reason — was unable to express ; but that he is now to employ those examples in a particular way . Here giving examples is not an indirect means of explaining - in default of a better . For any general ...
... common thing which I - for some reason — was unable to express ; but that he is now to employ those examples in a particular way . Here giving examples is not an indirect means of explaining - in default of a better . For any general ...
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Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York