A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 62
Pagina 148
... complete their idea before . its translation into a complete object of perception takes place . Inability to build up simultaneously the idea and its objective embodiment imposes a handicap . Nevertheless , they too are obliged to think ...
... complete their idea before . its translation into a complete object of perception takes place . Inability to build up simultaneously the idea and its objective embodiment imposes a handicap . Nevertheless , they too are obliged to think ...
Pagina 198
... complete without minds , but minds , again , are not complete without things ; not any more , we might say , than minds are complete without bodies . Our resources in the way of sensation , and our experiences in the way of satisfactory ...
... complete without minds , but minds , again , are not complete without things ; not any more , we might say , than minds are complete without bodies . Our resources in the way of sensation , and our experiences in the way of satisfactory ...
Pagina 414
... complete judgment of a work of art , many men are needed in order to draw out its total capacity of realization . A complete esthetic work of art thus becomes an ideal , realiz- able in the lesser works but perhaps rarely fully realized ...
... complete judgment of a work of art , many men are needed in order to draw out its total capacity of realization . A complete esthetic work of art thus becomes an ideal , realiz- able in the lesser works but perhaps rarely fully realized ...
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Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York