A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 431
... concept of number as in spin- ning a thread we twist fibre on fibre . And the strength of the thread does not reside ... concept of number is defined for you as the logical sum of these individual interrelated concepts : cardinal numbers ...
... concept of number as in spin- ning a thread we twist fibre on fibre . And the strength of the thread does not reside ... concept of number is defined for you as the logical sum of these individual interrelated concepts : cardinal numbers ...
Pagina 440
... concept . But to do this with " art " or " tragedy " or " portraiture , " etc. , is ludicrous since it forecloses on the very conditions of creativity in the arts . Of course there are legitimate and serviceable closed concepts in art ...
... concept . But to do this with " art " or " tragedy " or " portraiture , " etc. , is ludicrous since it forecloses on the very conditions of creativity in the arts . Of course there are legitimate and serviceable closed concepts in art ...
Pagina 452
... concept “ art ” must be treated as an open concept , since new art forms have developed in the past , and since any art form ( such as the novel ) may undergo radical transformations from generation to generation . One brief statement ...
... concept “ art ” must be treated as an open concept , since new art forms have developed in the past , and since any art form ( such as the novel ) may undergo radical transformations from generation to generation . One brief statement ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York