A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 41
Pagina 69
... contemplation . A listener who is attending to the music with interest in its emotional import is engaged in aesthetic contemplation of the music . He is doing what the present writer has elsewhere proposed to call ecpathizing the music ...
... contemplation . A listener who is attending to the music with interest in its emotional import is engaged in aesthetic contemplation of the music . He is doing what the present writer has elsewhere proposed to call ecpathizing the music ...
Pagina 374
... contemplative self . Now , at last , let us assume that the imitation is involuntary . The more I am absorbed in the contemplation of the seen movement the more in- voluntary will be the imitation . Conversely , the more involuntary the ...
... contemplative self . Now , at last , let us assume that the imitation is involuntary . The more I am absorbed in the contemplation of the seen movement the more in- voluntary will be the imitation . Conversely , the more involuntary the ...
Pagina 378
... contemplation and into esthetic enjoyment . It abso- lutely belongs to the nature of esthetic contemplation to eliminate them . And it is the duty of scientific esthetics and necessary for its sound devel- opment , that it gradually ...
... contemplation and into esthetic enjoyment . It abso- lutely belongs to the nature of esthetic contemplation to eliminate them . And it is the duty of scientific esthetics and necessary for its sound devel- opment , that it gradually ...
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Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York