A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina 15
... contextualist view that art is broadly human . Life , in its very essence , is the experience of values ; and hence art , which alone can express values in all their vividness , is terribly relevant to life , and is limited in its scope ...
... contextualist view that art is broadly human . Life , in its very essence , is the experience of values ; and hence art , which alone can express values in all their vividness , is terribly relevant to life , and is limited in its scope ...
Pagina 386
... contextualist , Bosanquet as an organicist , and Aristotle as a formist . The mechanist asks of the work that it give pleasure ; the contextualist , that it exhibit vividness of quality ; the organicist , that it be a rich and well ...
... contextualist , Bosanquet as an organicist , and Aristotle as a formist . The mechanist asks of the work that it give pleasure ; the contextualist , that it exhibit vividness of quality ; the organicist , that it be a rich and well ...
Pagina 406
... Contextualism is the youngest of the relatively adequate world views and is still in its tentative stages . But ... contextualist is a gourmand for experience . The stress is on the experience , the unique quality of the experience ...
... Contextualism is the youngest of the relatively adequate world views and is still in its tentative stages . But ... contextualist is a gourmand for experience . The stress is on the experience , the unique quality of the experience ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York