A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 240
... created is not the same in any two distinct arts —this is , in fact , what makes them distinct — but the principle of creation is the same . And " living form ” means the same in all of them . A work of art is an expressive form created ...
... created is not the same in any two distinct arts —this is , in fact , what makes them distinct — but the principle of creation is the same . And " living form ” means the same in all of them . A work of art is an expressive form created ...
Pagina 248
... created space . These volumes define and organize the pictorial space which they are , in fact , creating ; the purely visual space seems to be alive with their balanced or strained interactions . The lines that divide them ( which may ...
... created space . These volumes define and organize the pictorial space which they are , in fact , creating ; the purely visual space seems to be alive with their balanced or strained interactions . The lines that divide them ( which may ...
Pagina 260
... created anew , and establish and follow their own laws . It is undeniable that certain periods — and the most fortunate ones have established clearly defined patterns or standards which give the artist a basis on which to create freely ...
... created anew , and establish and follow their own laws . It is undeniable that certain periods — and the most fortunate ones have established clearly defined patterns or standards which give the artist a basis on which to create freely ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York