A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina 8
... CREATIVE PROCESS We can characterize art in terms of three standpoints ; the creative activity of the artists , the work of art , and the reception of art by the public . Each of these is covered by a Part of the present volume . The ...
... CREATIVE PROCESS We can characterize art in terms of three standpoints ; the creative activity of the artists , the work of art , and the reception of art by the public . Each of these is covered by a Part of the present volume . The ...
Pagina 525
... Creative Intuition in Art and Poetry . New York : Pantheon , 1953 . McKeon , Richard P. " Literary Criticism and the Concept of Imitation in An- tiquity . " Modern Philology 34 ( 1936 ) . Morawski , Stefan . Inquiries into the ...
... Creative Intuition in Art and Poetry . New York : Pantheon , 1953 . McKeon , Richard P. " Literary Criticism and the Concept of Imitation in An- tiquity . " Modern Philology 34 ( 1936 ) . Morawski , Stefan . Inquiries into the ...
Pagina 526
... Creative Vision . London : Wiley , 1976 . Ghiselin , Brewster , ed . The Creative Process . Berkeley , Calif .: University of Cali- fornia Press , 1952 . Gotshalk , D. W. Art and the Social Order , 2d ed . New York : Dover , 1962 , Chap ...
... Creative Vision . London : Wiley , 1976 . Ghiselin , Brewster , ed . The Creative Process . Berkeley , Calif .: University of Cali- fornia Press , 1952 . Gotshalk , D. W. Art and the Social Order , 2d ed . New York : Dover , 1962 , Chap ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York