A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina 299
... critic speaking recently in London dwelt at length upon " horizontality " and " verticality " as finalities in art . Throwing upon a screen reproductions of one work by Jackson Pollock , and one page from the ancient Irish " Book of ...
... critic speaking recently in London dwelt at length upon " horizontality " and " verticality " as finalities in art . Throwing upon a screen reproductions of one work by Jackson Pollock , and one page from the ancient Irish " Book of ...
Pagina 384
... critic should seek to answer three questions : What was the artist trying to do ? Did he succeed in doing it ? Was ... critic . " Beardsley seeks to answer the question : What critical reasons 384 THE STANDARDS OF THE CRITIC Beardsley ...
... critic should seek to answer three questions : What was the artist trying to do ? Did he succeed in doing it ? Was ... critic . " Beardsley seeks to answer the question : What critical reasons 384 THE STANDARDS OF THE CRITIC Beardsley ...
Pagina 390
... critic may reply once more : " The detail is excessive because it distracts the reader from those elements in the work ( elements of plot , perhaps ) that would otherwise give it a fairly high degree of unity , " or perhaps , " The ...
... critic may reply once more : " The detail is excessive because it distracts the reader from those elements in the work ( elements of plot , perhaps ) that would otherwise give it a fairly high degree of unity , " or perhaps , " The ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York