A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina 544
An Anthology Melvin Miller Rader. CHAPTER 11 : THE STANDARDS OF THE CRITIC Is the Intention of the Artist Relevant to Interpretation and Criticism ? Aiken , Henry David . " The Aesthetic Relevance of the Artist's Intentions . " J. Phil ...
An Anthology Melvin Miller Rader. CHAPTER 11 : THE STANDARDS OF THE CRITIC Is the Intention of the Artist Relevant to Interpretation and Criticism ? Aiken , Henry David . " The Aesthetic Relevance of the Artist's Intentions . " J. Phil ...
Pagina 545
... Critic . Chicago : University of Chicago Press , 1948 . Greene , Theodore M. The Arts and the Art of Criticism . Princeton , N.J .: Princeton University Press , 1940 . Heyl , Bernard C. New Bearings in Esthetics and Art Criticism . New ...
... Critic . Chicago : University of Chicago Press , 1948 . Greene , Theodore M. The Arts and the Art of Criticism . Princeton , N.J .: Princeton University Press , 1940 . Heyl , Bernard C. New Bearings in Esthetics and Art Criticism . New ...
Pagina 546
... Criticism . " BJA 15 ( 1975 ) . Shupe , Donald R. " Representation versus Detection as a Model for Psychological Criticism . " JAAC 34 ( 1976 ) . Simpson , Evan . " Aesthetic Appraisal . " Philosophy 50 ( 1975 ) . Slote , M. A. ...
... Criticism . " BJA 15 ( 1975 ) . Shupe , Donald R. " Representation versus Detection as a Model for Psychological Criticism . " JAAC 34 ( 1976 ) . Simpson , Evan . " Aesthetic Appraisal . " Philosophy 50 ( 1975 ) . Slote , M. A. ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York