A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 220
... dance is preeminently the domain of the union of body and mind , or as traditional philosophy - ever so close to reality - expressed it : their " substantial union . " The born dancer thinks with his body the way he dances with his mind ...
... dance is preeminently the domain of the union of body and mind , or as traditional philosophy - ever so close to reality - expressed it : their " substantial union . " The born dancer thinks with his body the way he dances with his mind ...
Pagina 224
... dance in ballet but it includes other arts in variable proportions . A ballet is a theatrical representation in dance form ; it requires a play acted by dancers and mimes ( Coppélia , Gisèle ) ; further , it requires the art of painting ...
... dance in ballet but it includes other arts in variable proportions . A ballet is a theatrical representation in dance form ; it requires a play acted by dancers and mimes ( Coppélia , Gisèle ) ; further , it requires the art of painting ...
Pagina 226
... Dance with- out music is possible . Indeed , an adventurous attempt has been made , not without success , to create a silent ballet ( Jerome Robbins , Moves , 1961 ) . Moreover , it is not necessary to have seen a spectacle of this kind ...
... Dance with- out music is possible . Indeed , an adventurous attempt has been made , not without success , to create a silent ballet ( Jerome Robbins , Moves , 1961 ) . Moreover , it is not necessary to have seen a spectacle of this kind ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York