A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina 219
An Anthology Melvin Miller Rader. European dancer , or the dancer of European tradition , dances mainly with his legs ; the dancers of Asia instead dance primarily with their arms , hands , and fingers ; but everywhere dancers tend ...
An Anthology Melvin Miller Rader. European dancer , or the dancer of European tradition , dances mainly with his legs ; the dancers of Asia instead dance primarily with their arms , hands , and fingers ; but everywhere dancers tend ...
Pagina 220
... dancer . The history of the great artists of the dance could provide us with numberless examples of a fact which everybody has been able to observe , no matter how slight his interest in the art may be . When we say that the body in ...
... dancer . The history of the great artists of the dance could provide us with numberless examples of a fact which everybody has been able to observe , no matter how slight his interest in the art may be . When we say that the body in ...
Pagina 222
... dancer . This time comes tragically all too soon . The violinist's instrument improves as it ages , whereas the dancer's tends to grow heavy and stiffen after a period of perfection which is coeval with its successes . Every art of ...
... dancer . This time comes tragically all too soon . The violinist's instrument improves as it ages , whereas the dancer's tends to grow heavy and stiffen after a period of perfection which is coeval with its successes . Every art of ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York