A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 18
... define art have not succeeded , not that every definition in the future must fail . Perhaps a more complex definition or , as Mandelbaum thinks , a definition based on nonmanifest characteristics , will ultimately suffice . We should try to ...
... define art have not succeeded , not that every definition in the future must fail . Perhaps a more complex definition or , as Mandelbaum thinks , a definition based on nonmanifest characteristics , will ultimately suffice . We should try to ...
Pagina 440
... definition of this closed concept ; although it can also be , as it unfortunately has been , con- ceived as a purported real definition of " tragedy , " in which case it suffers from the logical mistake of trying to define what cannot be ...
... definition of this closed concept ; although it can also be , as it unfortunately has been , con- ceived as a purported real definition of " tragedy , " in which case it suffers from the logical mistake of trying to define what cannot be ...
Pagina 452
... defined prior to the invention of cameras , is there any reason to suppose that such a definition would have proved an obstacle to viewing photography or the movies as constituting new art forms ? To be sure , one can imagine defini ...
... defined prior to the invention of cameras , is there any reason to suppose that such a definition would have proved an obstacle to viewing photography or the movies as constituting new art forms ? To be sure , one can imagine defini ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York