A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 18
... definitions fail . The reasonable inference would be that past attempts to define art have not succeeded , not that every definition in the future must fail . Perhaps a more complex definition or , as Mandelbaum thinks , a definition ...
... definitions fail . The reasonable inference would be that past attempts to define art have not succeeded , not that every definition in the future must fail . Perhaps a more complex definition or , as Mandelbaum thinks , a definition ...
Pagina 59
... definitions to the metaphysical definitions which depended on the conception of beauty , they are yet far from exact . The first , the physiological - evolutionary definition ( 1 ) , a , is inexact , because instead of speaking about ...
... definitions to the metaphysical definitions which depended on the conception of beauty , they are yet far from exact . The first , the physiological - evolutionary definition ( 1 ) , a , is inexact , because instead of speaking about ...
Pagina 436
... defining essence of art this first stage of spiritual life and advances its identification with art as a philosophically true theory or definition . The Organicist says to all of this that art is really a class of organic wholes ...
... defining essence of art this first stage of spiritual life and advances its identification with art as a philosophically true theory or definition . The Organicist says to all of this that art is really a class of organic wholes ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York