A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 332
... distinguished esthetic contemplation from practical , moral , cognitive , and appetitive interest . All of these interests , in one way or another , are concerned for the real existence of their objects . Kant defined ...
... distinguished esthetic contemplation from practical , moral , cognitive , and appetitive interest . All of these interests , in one way or another , are concerned for the real existence of their objects . Kant defined ...
Pagina 378
... distinguished from the arm . The antithesis between self and object remains . ( Edi- tor's note . ) 3. In other words , the discomfort involved in these two cases makes me aware of how I am being affected , and of the subjective ...
... distinguished from the arm . The antithesis between self and object remains . ( Edi- tor's note . ) 3. In other words , the discomfort involved in these two cases makes me aware of how I am being affected , and of the subjective ...
Pagina 562
... distinguished from beauty , 342-343 dynamic , 345-346 mathematical , 344-345 tragic and nontragic , 160-161 , 177–181 Sully , James , quoted , 59 Symbolism , in art , 90 , 246–254 the Art Symbol , 247-251 of children and primitives , 44 ...
... distinguished from beauty , 342-343 dynamic , 345-346 mathematical , 344-345 tragic and nontragic , 160-161 , 177–181 Sully , James , quoted , 59 Symbolism , in art , 90 , 246–254 the Art Symbol , 247-251 of children and primitives , 44 ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York