A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 54
Pagina 92
... dreams and comprehend . The truest human fancy seems to be revealed to us in dreams : all poems and versification are but true dreams ' interpretation.3 The beautiful illusion of the dream worlds , in the creation of which every man is ...
... dreams and comprehend . The truest human fancy seems to be revealed to us in dreams : all poems and versification are but true dreams ' interpretation.3 The beautiful illusion of the dream worlds , in the creation of which every man is ...
Pagina 120
... Dreams ( 1900 ; translated 1913 by A. A. Brill ) CHRISTOPHER CAUDWELL Poetry's Dream - Work 1 Dream is neither directed thinking nor directed feeling , but free — that is non - social - association . Hence the associations of dream are ...
... Dreams ( 1900 ; translated 1913 by A. A. Brill ) CHRISTOPHER CAUDWELL Poetry's Dream - Work 1 Dream is neither directed thinking nor directed feeling , but free — that is non - social - association . Hence the associations of dream are ...
Pagina 128
... dream technique . The nature of dream technique has been explored by analysts under the general name of " the dream - work . " A dream consists of two layers . Obvious is the manifest content . We are walking by the seaside , a ship ...
... dream technique . The nature of dream technique has been explored by analysts under the general name of " the dream - work . " A dream consists of two layers . Obvious is the manifest content . We are walking by the seaside , a ship ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York