A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 28
... effect , and , having done so , passes on to other things . Nature , upon the other hand , forgetting that imitation can be made the sincerest form of insult , keeps on repeating this effect until we all become absolutely wearied of it ...
... effect , and , having done so , passes on to other things . Nature , upon the other hand , forgetting that imitation can be made the sincerest form of insult , keeps on repeating this effect until we all become absolutely wearied of it ...
Pagina 80
An Anthology Melvin Miller Rader. laughable in the effect . In order that we may be tempted to laugh at it , we must localize its cause in some intermediate region of the soul . Conse- quently , the effect must appear to us as an average ...
An Anthology Melvin Miller Rader. laughable in the effect . In order that we may be tempted to laugh at it , we must localize its cause in some intermediate region of the soul . Conse- quently , the effect must appear to us as an average ...
Pagina 118
... effect depends on the conflict between the all - powerful will of the gods and the vain efforts of human beings threatened with disaster ; resignation to the divine will , and the perception of one's own impotence is the lesson which ...
... effect depends on the conflict between the all - powerful will of the gods and the vain efforts of human beings threatened with disaster ; resignation to the divine will , and the perception of one's own impotence is the lesson which ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York