A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 12
... elements in relation , the form is the relation among the elements , and the total work is both in irrefrangible unity . This is the meaning of organic unity as sketched by Harold Osborne ( see Chapter 9 ) . Another characteristic of a ...
... elements in relation , the form is the relation among the elements , and the total work is both in irrefrangible unity . This is the meaning of organic unity as sketched by Harold Osborne ( see Chapter 9 ) . Another characteristic of a ...
Pagina 81
... elements or moments and the synthesis of the two ; but these other things are either present as extraneous elements in a compound ( reflections , exhortations , polemics , allegories , etc. ) , or else they are just these image ...
... elements or moments and the synthesis of the two ; but these other things are either present as extraneous elements in a compound ( reflections , exhortations , polemics , allegories , etc. ) , or else they are just these image ...
Pagina 221
... elements of the dance . These movements themselves vary according to different national schools and traditions ( Bali- nese , Hindu , Spanish , Russian dances , and so on ) and the grammars of motion which teach its elements vary within ...
... elements of the dance . These movements themselves vary according to different national schools and traditions ( Bali- nese , Hindu , Spanish , Russian dances , and so on ) and the grammars of motion which teach its elements vary within ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York