A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 160
... Embodiment In turning from Dewey and Walsh to Santayana and Reid there is no sharp contrast . Dewey more often uses the term " quality " than the term " value , " but his " enhancement of experience " is synonymous with " embodiment of ...
... Embodiment In turning from Dewey and Walsh to Santayana and Reid there is no sharp contrast . Dewey more often uses the term " quality " than the term " value , " but his " enhancement of experience " is synonymous with " embodiment of ...
Pagina 182
An Anthology Melvin Miller Rader. LOUIS ARNAUD REID Values , Feeling and Embodiment 1. THE EMBODIMENT Of Values In the light of all that has been said , the question " What does art embody ? " must be put carefully and the answer must be ...
An Anthology Melvin Miller Rader. LOUIS ARNAUD REID Values , Feeling and Embodiment 1. THE EMBODIMENT Of Values In the light of all that has been said , the question " What does art embody ? " must be put carefully and the answer must be ...
Pagina 186
... EMBODIMENT The view that art is " expression " is capable of many different interpreta- tions . Some of them are , I have urged , inadmissible , as that the artist has an ... embodiment . If , therefore , we say 186 Embodiment of Values.
... EMBODIMENT The view that art is " expression " is capable of many different interpreta- tions . Some of them are , I have urged , inadmissible , as that the artist has an ... embodiment . If , therefore , we say 186 Embodiment of Values.
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York