A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 92
Pagina 48
An Anthology Melvin Miller Rader. CHAPTER 2 Emotion EUGENE VÉRON : Art as the Expression of Emotion LEO TOLSTOY : The Communication of Emotion CURT J. DUCASSE : Art and the Language of the Emotions One of the consequences of the Romantic ...
An Anthology Melvin Miller Rader. CHAPTER 2 Emotion EUGENE VÉRON : Art as the Expression of Emotion LEO TOLSTOY : The Communication of Emotion CURT J. DUCASSE : Art and the Language of the Emotions One of the consequences of the Romantic ...
Pagina 141
... emotion demands something beyond itself to which to at- tach itself , and thus it soon generates a delusion in lack of something real . Emotion belongs of a certainty to the self . But it belongs to the self that is concerned in the ...
... emotion demands something beyond itself to which to at- tach itself , and thus it soon generates a delusion in lack of something real . Emotion belongs of a certainty to the self . But it belongs to the self that is concerned in the ...
Pagina 292
... emotion will try to eke that little out by suggesting the emotions of life . To evoke the emotions of life he must use representation . Thus a man will paint an execution , and , fearing to miss with his first barrel of significant form ...
... emotion will try to eke that little out by suggesting the emotions of life . To evoke the emotions of life he must use representation . Thus a man will paint an execution , and , fearing to miss with his first barrel of significant form ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York