A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 57
Pagina 292
... essential to the appreciation of all . What we must say is that the representation of three - dimensional space is neither irrelevant nor essential to all art , and that every other sort of representation is irrelevant . That there is ...
... essential to the appreciation of all . What we must say is that the representation of three - dimensional space is neither irrelevant nor essential to all art , and that every other sort of representation is irrelevant . That there is ...
Pagina 436
... essential property of art has been left out . Tolstoy , Ducasse , or any of the advocates of this theory , find that the requisite defining property is not significant form but rather the expression of emotion in some sensuous public ...
... essential property of art has been left out . Tolstoy , Ducasse , or any of the advocates of this theory , find that the requisite defining property is not significant form but rather the expression of emotion in some sensuous public ...
Pagina 508
... essential nature , imposes a greater purification of esthetics : that is , it strips off from the object all the barnacles of association , all the sentimental and pecuniary values which have nothing whatever to do with esthetic form ...
... essential nature , imposes a greater purification of esthetics : that is , it strips off from the object all the barnacles of association , all the sentimental and pecuniary values which have nothing whatever to do with esthetic form ...
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Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York