A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 3
... esthetic experience is shot through with formal characteristics - with rhythm , harmony , design - the collaboration of which constitutes the whole . He believed that esthetic education , especially in the early and most formative years ...
... esthetic experience is shot through with formal characteristics - with rhythm , harmony , design - the collaboration of which constitutes the whole . He believed that esthetic education , especially in the early and most formative years ...
Pagina 4
... esthetic education . When thoroughly ingrained and integral to the psyche , esthetic culture impresses the sense of interrelatedness upon the deepest levels of the mind . Without such a deep spontaneous appreciation of vivid qualities ...
... esthetic education . When thoroughly ingrained and integral to the psyche , esthetic culture impresses the sense of interrelatedness upon the deepest levels of the mind . Without such a deep spontaneous appreciation of vivid qualities ...
Pagina 335
... esthetic aspects and physical properties , or between esthetic vision and physical observation , is to confuse two distinct categories . Esthetic education , according to Aldrich , consists largely in learning to distinguish these ...
... esthetic aspects and physical properties , or between esthetic vision and physical observation , is to confuse two distinct categories . Esthetic education , according to Aldrich , consists largely in learning to distinguish these ...
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Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York