A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 435
... esthetic matters is still deeply wedded to the hope that the correct theory of art is forthcoming . We need only examine the numerous new books on art in which new definitions are proffered ; or , in our own country especially , the ...
... esthetic matters is still deeply wedded to the hope that the correct theory of art is forthcoming . We need only examine the numerous new books on art in which new definitions are proffered ; or , in our own country especially , the ...
Pagina 437
... theory of art as significant form which is defined in part in terms of our response to significant form . Some of them , in their search for necessary and sufficient properties , emphasize too few properties , like ( again ) the Bell ...
... theory of art as significant form which is defined in part in terms of our response to significant form . Some of them , in their search for necessary and sufficient properties , emphasize too few properties , like ( again ) the Bell ...
Pagina 443
... theory is not to define any- thing but to use the definitional form , almost ... esthetic theories literally , as we have seen , they all fail ; but if we ... esthetic theory is far from worthless . Indeed , it becomes as central as ...
... theory is not to define any- thing but to use the definitional form , almost ... esthetic theories literally , as we have seen , they all fail ; but if we ... esthetic theory is far from worthless . Indeed , it becomes as central as ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York