A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 71
Pagina 177
... values of other sorts , and the comparative rareness in nature or art of expressions the sec- ond term of which has only esthetic value . . . . The Liberation of Self The esthetic effect of objects is always due to the total emotional value ...
... values of other sorts , and the comparative rareness in nature or art of expressions the sec- ond term of which has only esthetic value . . . . The Liberation of Self The esthetic effect of objects is always due to the total emotional value ...
Pagina 475
... esthetic . As a consequence of revolution , there are profound changes in art and all other forms of culture . Although ... esthetic value is completely relative to the economic system , he was too much the lover of the Greek classics to ...
... esthetic . As a consequence of revolution , there are profound changes in art and all other forms of culture . Although ... esthetic value is completely relative to the economic system , he was too much the lover of the Greek classics to ...
Pagina 500
... esthetic value . Art creates esthetic value by expressing the artist's vision of all manner of values . As wine is to grapes , so art is to life : it draws its material from life , but it gives in return something that its material did ...
... esthetic value . Art creates esthetic value by expressing the artist's vision of all manner of values . As wine is to grapes , so art is to life : it draws its material from life , but it gives in return something that its material did ...
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Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York