A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 5
... estheticians , ancient and modern , to illustrate the recognition that art , as a creative process , is the expression of mood , feeling , or spirit . There are two parts to this consensus : first , that art is expression , and second ...
... estheticians , ancient and modern , to illustrate the recognition that art , as a creative process , is the expression of mood , feeling , or spirit . There are two parts to this consensus : first , that art is expression , and second ...
Pagina 15
... estheticians . John Hospers , for example , has remarked that Bullough's discussion is so full of ambiguities as to " render the use of the term ' distance ' more confusing than helpful . " 21 Although these ambiguities need to be ...
... estheticians . John Hospers , for example , has remarked that Bullough's discussion is so full of ambiguities as to " render the use of the term ' distance ' more confusing than helpful . " 21 Although these ambiguities need to be ...
Pagina 136
... esthetician Andrew Paul Ushenko expressed to Dewey his opinion that the emphasis on this continuity " does not do justice ... estheticians who have been influenced by Dewey is Dorothy Walsh ( 1901- ) , Professor Emeritus of philosophy at ...
... esthetician Andrew Paul Ushenko expressed to Dewey his opinion that the emphasis on this continuity " does not do justice ... estheticians who have been influenced by Dewey is Dorothy Walsh ( 1901- ) , Professor Emeritus of philosophy at ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York