A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 94
Pagina 175
... expression . If the value lies wholly in the first term , we have no beauty of expression . The decorative inscriptions in Saracenic monuments can have no beauty of expression for one who does not read Arabic ; their charm is wholly one ...
... expression . If the value lies wholly in the first term , we have no beauty of expression . The decorative inscriptions in Saracenic monuments can have no beauty of expression for one who does not read Arabic ; their charm is wholly one ...
Pagina 186
... EXPRESSION " AND EMBODIMENT The view that art is " expression " is capable of many different interpreta- tions . Some of them are , I have urged , inadmissible , as that the artist has an experience , " expresses " this experience in a ...
... EXPRESSION " AND EMBODIMENT The view that art is " expression " is capable of many different interpreta- tions . Some of them are , I have urged , inadmissible , as that the artist has an experience , " expresses " this experience in a ...
Pagina 268
... expression itself , and secondarily apply what we have seen to the mental processes that may be hidden " behind ” the outer image . Particularly the content of the work of art does not consist in states of mind that the dancer may ...
... expression itself , and secondarily apply what we have seen to the mental processes that may be hidden " behind ” the outer image . Particularly the content of the work of art does not consist in states of mind that the dancer may ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York