A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 61
Pagina 121
... external reality of which the words are symbols . Ordinarily we see , hovering behind language , the world of external reality it describes . But in poetry the thoughts are to be directed on to the feeling - tone of the words themselves ...
... external reality of which the words are symbols . Ordinarily we see , hovering behind language , the world of external reality it describes . But in poetry the thoughts are to be directed on to the feeling - tone of the words themselves ...
Pagina 130
... external reality . The man- ifest content is symbolic of a certain piece of external reality — be it scene , problem , thought , event . And the emotional content is attached to this statement of reality , not in actual experience but ...
... external reality . The man- ifest content is symbolic of a certain piece of external reality — be it scene , problem , thought , event . And the emotional content is attached to this statement of reality , not in actual experience but ...
Pagina 131
... external reality and have become portions of external reality themselves and , in doing so , have necessarily generated a formal structure ( the scale , " rules " of harmony , etc. ) which gives them the rigidity and social status of ...
... external reality and have become portions of external reality themselves and , in doing so , have necessarily generated a formal structure ( the scale , " rules " of harmony , etc. ) which gives them the rigidity and social status of ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York