A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 57
... fact the question of personality in art . . . . Truth and personality : these are the alpha and omega of art formulas ; truth as to facts , and the personality of the artist . But , if we look more closely , we shall see that these two ...
... fact the question of personality in art . . . . Truth and personality : these are the alpha and omega of art formulas ; truth as to facts , and the personality of the artist . But , if we look more closely , we shall see that these two ...
Pagina 235
... fact which an individual has achieved , and refuses to face the division implied by the purely ideal attitude of the soul in the self - conscious life on the one hand and the objective significance of the fact accomplished on the other ...
... fact which an individual has achieved , and refuses to face the division implied by the purely ideal attitude of the soul in the self - conscious life on the one hand and the objective significance of the fact accomplished on the other ...
Pagina 450
... fact that this painting had been deliberately and self - consciously made , and had been made with care ( but perhaps not with skill ) , provide a sufficient basis for predicating goodness of it ? I should doubt that Professor Ziff ...
... fact that this painting had been deliberately and self - consciously made , and had been made with care ( but perhaps not with skill ) , provide a sufficient basis for predicating goodness of it ? I should doubt that Professor Ziff ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York