A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 60
... feelings of admiration , devotion , fear , respect , or love , to the same objects , persons , or phenomena . And it is on this capacity of man to receive another man's expression of feeling and to experience those feelings himself ...
... feelings of admiration , devotion , fear , respect , or love , to the same objects , persons , or phenomena . And it is on this capacity of man to receive another man's expression of feeling and to experience those feelings himself ...
Pagina 63
... feeling transmitted ; ( 2 ) on the greater or lesser clearness with which the feeling is transmitted ; ( 3 ) on the sincerity of the artist , that is , on the greater or lesser force with which the artist himself feels the emotion he ...
... feeling transmitted ; ( 2 ) on the greater or lesser clearness with which the feeling is transmitted ; ( 3 ) on the sincerity of the artist , that is , on the greater or lesser force with which the artist himself feels the emotion he ...
Pagina 185
... FEELING AND EMOTION What of the place of feeling and emotion ? After the Romantic Revival it became an almost unexamined assumption that the artist " expresses " in art his feelings or emotions . Temporarily letting the term ...
... FEELING AND EMOTION What of the place of feeling and emotion ? After the Romantic Revival it became an almost unexamined assumption that the artist " expresses " in art his feelings or emotions . Temporarily letting the term ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York