A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 60
Pagina 269
... forces stirring in ourselves are only individual examples of the same forces acting through- out the universe . We are thus enabled to sense our place in the whole and in the inner unity of that whole . Some objects and events resemble ...
... forces stirring in ourselves are only individual examples of the same forces acting through- out the universe . We are thus enabled to sense our place in the whole and in the inner unity of that whole . Some objects and events resemble ...
Pagina 273
... forces , which are the true object of its interest . Physical and psychical forces can be studied only by their perceivable effects . Thus the overall direction of energy in a given system may appear as a visible axis in the observed ...
... forces , which are the true object of its interest . Physical and psychical forces can be studied only by their perceivable effects . Thus the overall direction of energy in a given system may appear as a visible axis in the observed ...
Pagina 483
... forces of production . The sum total of these relations of produc- tion constitutes the economic structure of society - the real foundation , on which rises a legal and political superstructure and to which correspond defi- nite forms ...
... forces of production . The sum total of these relations of produc- tion constitutes the economic structure of society - the real foundation , on which rises a legal and political superstructure and to which correspond defi- nite forms ...
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Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York