A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 74
Pagina 240
... function of sound in music ? What is the function of sound in poetry ? What is the function of sound in prose composition ? What is the function of sound in drama ? " The answers may be quite heterogeneous ; and that is itself an ...
... function of sound in music ? What is the function of sound in poetry ? What is the function of sound in prose composition ? What is the function of sound in drama ? " The answers may be quite heterogeneous ; and that is itself an ...
Pagina 247
... function , therefore , as representation . But this is not what I mean ; not even secret or disguised representation . Many works represent nothing whatever . A building , a pot , a tune is usually beautiful without inten- tionally ...
... function , therefore , as representation . But this is not what I mean ; not even secret or disguised representation . Many works represent nothing whatever . A building , a pot , a tune is usually beautiful without inten- tionally ...
Pagina 286
... function . The idea that form must be harmonized with function is no recent discovery ; it was enunciated by Vitruvius in ancient Rome and it was practiced by primitive man long before any esthetic theory was formulated . But it has ...
... function . The idea that form must be harmonized with function is no recent discovery ; it was enunciated by Vitruvius in ancient Rome and it was practiced by primitive man long before any esthetic theory was formulated . But it has ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York