A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 50
... give evidence of its existence as soon as man became self conscious , and is to be found clearly defined in his very earliest works . By its psychologic origin it is bound up with the constituent principles of humanity . The salient and ...
... give evidence of its existence as soon as man became self conscious , and is to be found clearly defined in his very earliest works . By its psychologic origin it is bound up with the constituent principles of humanity . The salient and ...
Pagina 111
... give us a hope of obtaining some insight into the creative powers of imaginative writers . And indeed , there is some prospect of achieving this - writers themselves always try to lessen the distance between their kind and ordinary ...
... give us a hope of obtaining some insight into the creative powers of imaginative writers . And indeed , there is some prospect of achieving this - writers themselves always try to lessen the distance between their kind and ordinary ...
Pagina 431
... give it an indirect relationship to other things we call the same name . And we extend our concept of number as in spin- ning a thread we twist fibre on fibre . And the strength of the thread does not reside in the fact that some one ...
... give it an indirect relationship to other things we call the same name . And we extend our concept of number as in spin- ning a thread we twist fibre on fibre . And the strength of the thread does not reside in the fact that some one ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York