A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 338
... given representation with reference to a cognition in general . Now a representation by which an object is given - that is , to become a cognition in general - requires Imagination , for the gathering together the manifold of intuition ...
... given representation with reference to a cognition in general . Now a representation by which an object is given - that is , to become a cognition in general - requires Imagination , for the gathering together the manifold of intuition ...
Pagina 342
... given . However , it must be such that this internal relation , by which one mental faculty is excited by another , shall be generally the most beneficial for both faculties in respect of cognition ( of given objects ) ; and this ...
... given . However , it must be such that this internal relation , by which one mental faculty is excited by another , shall be generally the most beneficial for both faculties in respect of cognition ( of given objects ) ; and this ...
Pagina 468
... given case may never be realized.15 The definition I have given contains a reference to the artworld . Con- sequently , some may have the uncomfortable feeling that my definition is viciously circular . Admittedly , in a sense the ...
... given case may never be realized.15 The definition I have given contains a reference to the artworld . Con- sequently , some may have the uncomfortable feeling that my definition is viciously circular . Admittedly , in a sense the ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York