A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 90
Pagina 112
... hand , he knows that he is expected not to play any longer or to daydream , but to be making his way in a real world . On the other hand , some of the wishes from which his phan- tasies spring are such as to have to be entirely hidden ...
... hand , he knows that he is expected not to play any longer or to daydream , but to be making his way in a real world . On the other hand , some of the wishes from which his phan- tasies spring are such as to have to be entirely hidden ...
Pagina 242
... hand and the other way for the other — like a time- table in which the list of stations is marked : " Eastbound , read down ; Westbound , read up . " As the two hands exemplify the same form with a principle of reversal understood , so ...
... hand and the other way for the other — like a time- table in which the list of stations is marked : " Eastbound , read down ; Westbound , read up . " As the two hands exemplify the same form with a principle of reversal understood , so ...
Pagina 370
... hand , when the horizon becomes fixed as in a shell it is because we come into the fold of senility . It is not so evident as the academicians suppose that the work of art should perforce consist of a human nucleus whose hair the muses ...
... hand , when the horizon becomes fixed as in a shell it is because we come into the fold of senility . It is not so evident as the academicians suppose that the work of art should perforce consist of a human nucleus whose hair the muses ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York