A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 77
Pagina 220
... human body is in question . Intelligence therefore is another requisite of the would - be dancer , and the gifts of ... human being in the organic unity of all his constitutive material and spiritual elements . This is the reason indeed ...
... human body is in question . Intelligence therefore is another requisite of the would - be dancer , and the gifts of ... human being in the organic unity of all his constitutive material and spiritual elements . This is the reason indeed ...
Pagina 268
... human body , and serve the artist equally well . In some ways they serve him even better , for the human body is a particularly complex pattern , not easily reduced to the simplicity of shape and motion that transmits compelling ...
... human body , and serve the artist equally well . In some ways they serve him even better , for the human body is a particularly complex pattern , not easily reduced to the simplicity of shape and motion that transmits compelling ...
Pagina 475
... human beings , human life is reduced to a material level , and men are estranged from one another and from their species - nature . The essence of man , he thinks , is not , as Aristotle and Hegel supposed , that he is a rational animal ...
... human beings , human life is reduced to a material level , and men are estranged from one another and from their species - nature . The essence of man , he thinks , is not , as Aristotle and Hegel supposed , that he is a rational animal ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York