A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 81
... images , into this complex of images , and is thus a feeling that is contemplated and therefore resolved and transcended . Hence poetry must be called neither feeling , nor image , nor yet the sum of the two , but " contemplation of ...
... images , into this complex of images , and is thus a feeling that is contemplated and therefore resolved and transcended . Hence poetry must be called neither feeling , nor image , nor yet the sum of the two , but " contemplation of ...
Pagina 86
... images , when in fact we only possess signs and names for them ; or else from faulty analysis of cases like that of the artist who is believed to express mere fragments of a world of images that exists in his mind in its entirety ...
... images , when in fact we only possess signs and names for them ; or else from faulty analysis of cases like that of the artist who is believed to express mere fragments of a world of images that exists in his mind in its entirety ...
Pagina 250
... image . I think the popular notion of an image as a replica of a sense impression has made epistemologists generally miss the most important character of images , which is that they are symbolic . That is why , in point of sensuous ...
... image . I think the popular notion of an image as a replica of a sense impression has made epistemologists generally miss the most important character of images , which is that they are symbolic . That is why , in point of sensuous ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York