A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Pagina 25
... imagination , " formulated by Coleridge and other romanticists . The theory of imitation emphasizes the cognitive and realistic elements in art ; the theory of imagination stresses the emotional and purely imaginative factors . These ...
... imagination , " formulated by Coleridge and other romanticists . The theory of imitation emphasizes the cognitive and realistic elements in art ; the theory of imagination stresses the emotional and purely imaginative factors . These ...
Pagina 196
... imagination lives in the powers of his medium ; he thinks and feels in terms of it ; it is the peculiar body of which his esthetic imagination and no other is the peculiar soul . Thus there grow up the distinct traditions , the whole ...
... imagination lives in the powers of his medium ; he thinks and feels in terms of it ; it is the peculiar body of which his esthetic imagination and no other is the peculiar soul . Thus there grow up the distinct traditions , the whole ...
Pagina 526
... Imagination . ” In Ralph A. Smith ( ed . ) , Aesthetic Concepts and Education . Urbana , Ill .: University of Illinois Press , 1970 . Guggenheimer , Richard . Creative Vision in Artist and Audience . New York : Harper & Row , 1950 ...
... Imagination . ” In Ralph A. Smith ( ed . ) , Aesthetic Concepts and Education . Urbana , Ill .: University of Illinois Press , 1970 . Guggenheimer , Richard . Creative Vision in Artist and Audience . New York : Harper & Row , 1950 ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York