A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 77
Pagina 186
... importance of the actual material medium in a way these thinkers do not consistently do.7 ) It is not necessary to ... important indeed . The practice of art can be ca- thartic , therapeutic , or nourishing to the growth of personality ...
... importance of the actual material medium in a way these thinkers do not consistently do.7 ) It is not necessary to ... important indeed . The practice of art can be ca- thartic , therapeutic , or nourishing to the growth of personality ...
Pagina 191
... important only because it stimulates imagination , and the object in nature is important for the same reason . This point of view is implied by Croce in his identification of intuition and expression , and it has been explicitly ...
... important only because it stimulates imagination , and the object in nature is important for the same reason . This point of view is implied by Croce in his identification of intuition and expression , and it has been explicitly ...
Pagina 250
... important character of images , which is that they are symbolic . That is why , in point of sensuous character ... importance of reference and communication by means of symbols has led semanticists to regard these uses as the defining ...
... important character of images , which is that they are symbolic . That is why , in point of sensuous character ... importance of reference and communication by means of symbols has led semanticists to regard these uses as the defining ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York