A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 21
... impulse : The form , the pattern , the " lawfulness " of the experience becomes the expression , not the repression , of impulse . Or , as Lipps observes , the images of esthetic experience are seemingly objective and yet are colored by ...
... impulse : The form , the pattern , the " lawfulness " of the experience becomes the expression , not the repression , of impulse . Or , as Lipps observes , the images of esthetic experience are seemingly objective and yet are colored by ...
Pagina 89
... impulse toward a goal . " If the impulse succeeds , the result is a state of satisfaction . The question arises , Is it possible to separate volition from pleasure and unpleasure ? The answer of Freud is no . The unrest of desire ...
... impulse toward a goal . " If the impulse succeeds , the result is a state of satisfaction . The question arises , Is it possible to separate volition from pleasure and unpleasure ? The answer of Freud is no . The unrest of desire ...
Pagina 261
... impulse is weak . Closely allied to the principle of association is that of progression . This is so obvious , in an ... impulse and is the process by which the impulse takes extended shape . When the impulse is complete , however ...
... impulse is weak . Closely allied to the principle of association is that of progression . This is so obvious , in an ... impulse and is the process by which the impulse takes extended shape . When the impulse is complete , however ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York