A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart and Winston, 1979 - 563 pagine |
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Risultati 1-3 di 77
Pagina 132
... interest . Poetry soaks external reality — nature and society with emotional significance . This significance , because it gives the organism an appetitive interest in external reality , enables the orga- nism to deal with it more ...
... interest . Poetry soaks external reality — nature and society with emotional significance . This significance , because it gives the organism an appetitive interest in external reality , enables the orga- nism to deal with it more ...
Pagina 177
... interest . But as contemplation is actually a luxury in our lives , and things interest us chiefly on passionate and practical grounds , the accumulation of values too exclusively esthetic produces in our minds an effect of closeness ...
... interest . But as contemplation is actually a luxury in our lives , and things interest us chiefly on passionate and practical grounds , the accumulation of values too exclusively esthetic produces in our minds an effect of closeness ...
Pagina 229
... interest in expressiveness1 that has characterized esthetics in the past several decades . . The interest in expressiveness is no new feature of esthetic theory . Among the great philosophers , Georg Wilhelm Friedrich Hegel ( 1770-1831 ) ...
... interest in expressiveness1 that has characterized esthetics in the past several decades . . The interest in expressiveness is no new feature of esthetic theory . Among the great philosophers , Georg Wilhelm Friedrich Hegel ( 1770-1831 ) ...
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A. C. Bradley abstract activity appreciation Aristotle artist artworld beauty become Bernard Bosanquet called character characteristic Clive Bell color common complete concept consciousness contemplation contextualist created creative Criticism dance defined definition Dionysian Distance dream effect elements embodiment emotion esthetic theory esthetic value estheticians Étienne Gilson example existence expression external fact feeling George Dickie Greek human ideas imagination imitation individual intuition JAAC John Dewey judgment kind language look Ludwig Wittgenstein machine material means MELVIN RADER mind modern moral Morris Weitz movement nature novel object organic painter painting perception person phantasy Philosophical physical picture play pleasure poet poetry present principle production psychology pure R. G. Collingwood reality reason relation representation Rudolf Arnheim sculpture sense shape social structure style sublime symbol taste things tion tragedy unity University Press vision visual whole word world vision York